Thursday, June 11, 2009

Poem

Pinball
by Isa Harper

Back & forth
digital 2 analog
seeking the social
n’ finding only
chatrooms full of strangers’
emoticons – self-reflective
digital detritus
on the sea of experience;
not social, only solo
with witnesses.

Even writing now,
an exercise in solo;
when will I be together again?

Bouncing around
this space & sound
of body & time
not mine, but borrowed, I
play my GHEE-tar
and wonder where you are-
my playmates,
my friends,
my lovers,
all gone now – even
those that aren’t. I
log on
to the
digital
an’ I log off
of the
digital
an' I log on
to the
analog, on
to the real world -
not the Facebook reality
where you and me
merge unawares
of other and self;
either we don’t care
or don’t understand
that we should,
but,
as they say:

“I will try
to understand,
either way.”

“& i do
and eye doo
hand eye do
doo doo doo doo doo doo”

The recording remains,
analog 2 digital -

“back & forth &
back & forth &
back & forth
around again”

like a pinball in a game
of Life – surreal &
unlikely and without
an eye to the useful.

An’ I log off to
analog.

ttfn

lqtm

lmao

cqtm

ta ta for now
laugh quietly to myself
laugh my ass off
cry…
quietly…
2
my self.

:)…

Sunday, June 07, 2009

poem

Self-showing
or
Things in themselves


Standing,
I pull myself from the floor of Plato’s cave,
insistent on seeking the source of this lie,
the light of which refracts,
projecting dancing shadows
on the walls of my underworld dwelling.

I fall, sick, at the threshold. And now,
with the unwanted help of strangers,
I am dragged kicking and screaming to the lie,
this light that shines and blinds
as the rocks scrape
my knees,
my palms,
the tops of my feet.

Resigned and bodily dropped, I crawl,
too dizzy to look but to the scratched floor
where so many have been dragged before;
slowly, slowly, my eyes adjust to new light,
the lie of which is shown to be
only the self-showing of me
to the world under which I have dwelt and knelt
with my cave-dwelling tribe.

No light,
no lie
brought me to the surface;
force applied and again
applied again
until resistance was only
stone scraping skin
as I dragged myself to the lie above
in hopes of returning with magnificent tales.

I will tell the tale with fear, and hope
that those who’ve stayed behind, or
been dragged a different path, may love me still
and embrace the self-showing
of the sun that I’ve become.

Tuesday, June 02, 2009

Poem

The Platonic Tradition

Pale,
cold,
gray
concept nets
is how Nietzsche
put it;
rationality, a death-trap
for the fishes of sense -
I imagine
the frozen,
calloused hands of
New England fishermen
working at the icy ropes
of Platonic forms,
pulled from leaden
waters,
hands grabbing
the flopping fishes
of sense and slicing
flesh for bait.

Monday, June 01, 2009

self portrait 4

Sunday, May 31, 2009

Dream

Some statements are not holographs.

Dream

The onion, who is other than it, says, "I am the onion," and finds himself lost.

Poem

Like, the moment after the fall

Eve shucks the shallow side
and covers up her depths
while Adam learns,
with a monkey's grace,
his very first dance steps.

Isa Harper: a brief introduction

The attentive and/or long-time reader of Parrhesia will notice the name Isa Harper here and there, as author, character, scapegoat. Harper is a figment of my imagination, his name an anagram for Parrhesia.

The blog is a very strange discursive space; at once personal and absolutely de-personalized, it allows for an entirely new set of statements and figurings - artistic, political, satirical, etc. However, the line between narrator and author are non-existent in the grammar of the traditional blog. Unless something is attributed to someone else explicitly, the audience assumes the confessional nature of the blog is to be taken at face value. To overcome this entirely would take the deceptive act of adopting a blog persona and writing from that mental space. However, the self-deception that would need to take place to do so is herculean in scope and defeats the very premise of my blog, Parrhesia (translated as "fearless speech" via Foucault). One cannot speak fearlessly and speak pseudonymonously. The two are incompatible.

So, instead, I opt for this third option. Of course, not everyone will read this post who reads a poem by Isa Harper on my page, but if there is ever a question I can point them to this post as an apologia and an explanation of sorts. It is necessary, lest I be confused with my narrator (for all those who know me and read me) and so that I can write whatever it is that I am wont to write in this space, in my voice or in the voice of another.

In a novel, it is much easier perhaps. Twain writes, "You don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter." Melville writes, "Call me Ishmael." Immediately we know we are dealing with a narrator. (Please note: no comparison between my writing and these greats is meant. These are just famous examples that came to mind straightaway and did not require a lot of effort to find - I'm a lazy author at heart, one of the reasons I make no comparison to these greats.)

Where was I? Oh yes, immediately we know we're dealing with a narrator. However, I write, "Life's a bitch and then you marry one" and it's a little bit less clear that between myself and my marriage and those words there is a third party - a narrator who is speaking colloquially of his own marriage, not mine. So, I attribute it to someone else and make clear that I am doing so and that that someone else is my character to do with as I please. (Sounds dirty.)

And unlike authors, narrators can be made unreliable, can twist and turn in ways that a fearlessly speaking author cannot. When I write outside Harper's voice, I am writing for myself and attempting to be held accountable for the words in some parrhesiastic sense, whether I am speaking artistically, politically, ethically, etc. When I write in Harper's voice, I am still attempting to write fearlessly but with a clear remove from myself and those that I love so that no one is confused as to what's what and who is who.

One final note. This is a new update to my blog and so I will gradually be making sure that archives reflect the name of Isa Harper as their "author." But this will take time. If you see something and you think, that doesn't sound like the Frank Hill I know... write a comment (I love getting them!) and tell me. You might find out that I simply misattributed the thing. Or you might learn something new about the Frank Hill you know. :)

The biolographical details of Harper's existence will emerge over time. They are, to say the least, sketchy at this time.

But then again, what would we expect from him - he's a sketchy guy. ;)

Tuesday, May 26, 2009

Go Empathy!!! Hip Hip Hooray!!

There has been some concern expressed that Obama has chosen Sotomayor for her demonstrated "empathy." Need we remind the learned representatives that empathy is one of the fundamentals of representative democracy, without which one cannot ever presume to "speak" for another?

Aaaargh!!!

Thursday, May 21, 2009

breathing

One need not theorize breath;
one need only breathe
in and out
without self,
without other,
without reflection.

Breathing on a mirror fogs the image;
breathe away from mirrors
and avert your gaze from that
of the breather
for he needs you not
to reflect.